The James Catalogue of Western Manuscripts

Shelfmark O.17.2
Manuscript Title

The Freshfield Album

Alternative Title

The Freshfield Album

James Number n/a
Date 1574
Century 16th
Physical Description

21 sketches, in watercolour and ink, of public buildings and monuments in Constantinople, bound in vellum.

Provenance

Edwin Hanson Freshfield, member of the College, 17 June 1935.

Drawn by a German-speaking artist in 1574 with captions in Latin referring to Pierre Gilles, De topographia Constantinopoleos. Possibly the work of the Flemish artist Lambert de Vos; an earlier suggestion was Stefan Gerlach, chaplain to David Ungnad, imperial envoy of the Emperor Maximilan II to Constantinople (see Freshfield, ‘Notes on a Vellum Album’). Acquired in the nineteenth century by Edwin Freshfield, father of the donor.

Donor Freshfield, Edwin Hanson (1864-1962), Alumnus Of Trinity (Matric 1881)
Size (cm) 41 x 28
Folio 21 ff.
Material Paper
Language Latin
Collation

n/a

Notes

A digital version of this manuscript which provides updated folio references as well as a navigable table of contents is available at https://mss-cat.trin.cam.ac.uk/manuscripts/uv/view.php?n=O.17.2 . This item was first photographed and placed online in 2015. The images that are currently displayed in the Universal Viewer as well as via the link above were recaptured at a higher resolution in 2023.

IIIF Manifest URL https://mss-cat.trin.cam.ac.uk/Manuscript/O.17.2/manifest.json
Online Since 20/10/2023

Contents

Bibliography

Views of Constantinople: The Freshfield Album online, Library Blog (2015)

Freshfield, E. H., ‘Notes on a Vellum Album containing some original sketches of public buildings and monuments, drawn by a German artist who visited Constantinople in 1574’, Archaeologia, 71 (1922), 87-104, plates xv-xxiii.

Freshfield, E. H., ‘Some Sketches made in Constantinople in 1574’, Byzantinische Zeitschrift, 30 (1930), 519-22, plate ii.

Becatti, G, La colonna coclide istoriata, Rome (1960), pp. 151-288

Weitzmann, Kurt (ed.), Age of Spirituality, New York (1979), pp. 79-81

Pitarakis, Brigitte (ed.), Hippodrom / Atmeydani : İstanbul'un Tarih Sahnesi (Istanbul, 2010), vol. 1, pp. 275-7

Mango C., 'Constantinopolitana', Jahrbuch des Deutschen Archäologischen Instituts, 80 (1965), pp. 305-15; reprinted in Studies on Constantinople (Aldershot, 1993), part II.

Türkische Kunst und Kulture aus osmanischer Zeit, exhibition catalogue (Recklinghausen, 1985), no. I/48

Soliman le Magnifique, exhibition catalogue (Paris, 1990), no. 319

Madden, T. F., 'The Serpent Column of Delphi in Constantinople: Placement, Purposes, and Mutilations', Byzantine and Modern Greek Studies, 16 (1992), pp. 132-135

Bardill, J., 'The Palace of Lausus and Nearby Monuments in Constantinople: A Topographical Study', American Journal of Archaeology, 101/1 (January 1997), pp. 90-95

Stichel, R. H. W, 'Die Schlangensäule im Hippodrom von Istanbul: Zum spat-und-nachantiken Schicksal des Delphischen Votivs der Schlacht von Plataiai' Istanbuler Mitteilungen 47 (1997), p. 337

Hoffman, V. (ed,), De Hagia Sophia in Istanbul: 'Bilder aus sechs Jahrhunderten' und Gaspare Fossatis Restaurierung der Jahre 1847-49, exhibition catalogue (Bern 1999), 160, no 6

Asutay-Effenberger, N. and Effenburger, A, 'Zur Kirche auf einem Kupferstich von Gugas Inciciyan und zum Standort der Chalke-Kirche', Byzantinische Zeitschrift 97 (2004), pp. 69-73

Guidobaldi, A. Guglia and Barsanti, C., Santa Sofia di Constantinoupoli: L'arredo marmoreo della grande chiesa guistinianea , Vatican City (2004), pp. 743-45

Henrich, P., Der Untergang des Römischen Reiches, Darmstadt: wbg Theiss (2022)

Stephenson, P. The Serpent Column: A Cultural Biography, New York, NY: Oxford University Press (2016)

Matthews, J., "Viewing the Column of Arcadius at Constantinople", ed. David Brakke and Deborah Deliyannis, Shifting Cultural Frontiers in Late Antiquity, Franham: Ashgate (2012), pp. 211-224.

Bassett, S., "The Topography of Triumph in Late-Antique Constantinople", ed. Fabian Goldbeck, and Johannes Wienand, Der römische Triumph in Prinzipat und Spätantike, De Gruyter (2016), pp. 511-554

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