f.1 Aur. Augustini doctoris expositionis super psalmos prima pars incipit (P.L. xxxvi.)
Beatus uir -impiorum.
De domino nostro Ihesu Christo hoc ab homine dominico.
Initial: yellow ground. Above, David crowned playing harp: a folded curtain on either side. A dove above the harp flying towards him. Below, a man on L. plays the fiddle: one on R. dances.
Ends on Ps. l: deus de illo exiget suam.
f.179b Aur. Aug. doct. expositionis super psalmos prima pars explicit
On f.179b are many scribbles of cent. xiii, one is a paragraph beginning
o sacerdos uas incontinentie uas libidinis · iuxta filium uirginis ponis idolum ueneris etc.
And several verses, e.g.
Si mori(a)tur ouis aliquit ualet illa ruina.
Extrahitur pellis et scribitur intus et extra.
Si moriatur homo moritur caro pellis et ossa.
Ker, N. R., Medieval Libraries of Great Britain, Royal Historical Society Guides and Handbooks 3, 2nd edn (London, 1964)
Gneuss, H., Handlist of Anglo-Saxon Manuscripts: a List of Manuscripts and Manuscript Fragments Written or Owned in England up to 1100, Medieval and Renaissance Studies 241 (Tempe, AZ, 2001), no. 170
Gneuss, H. and Lapidge, M., Anglo-Saxon Manuscripts: A Biographical Handlist of Manuscripts and Manuscript Fragments Written or Owned in England up to 1100 (Toronto, 2014), no. 170 [companion vols.: B.5.28 and Tokyo, Collection of Professor Toshiyuki Takamiya, 55 (fragment); s. xi ex., origin Christ Church, Canterbury]
Gameson, R., The Manuscripts of Early Norman England (c. 1066-1130) (Oxford, 1999), no. 158 [companion to B.5.28 (174) and Tokyo, Takamiya Collection, 55; s. xi ex., provenance Christ Church, Canterbury]
Kauffmann, C. M., Romanesque Manuscripts 1066-1190, A Survey of Manuscripts Illuminated in the British Isles 3 (London, 1975), no. 6 + ill. 11.
Dodwell, C. R., The Canterbury School of Illumination 1066-1200 (Cambridge, 1954), pp. 17, 120, pl. 10b [dates 1070-1100 and attributes to Christ Church]
Davidson, C., Illustrations of the Stage and Acting in England to 1580, Early Drama, Art, and Music Monograph Series 16 (Kalamazoo, MI, 1991)
Rogerson, J., The Oxford Illustrated History of the Bible (Oxford, 2001)
Budny, M., and T. Graham, 'Dunstan as Hagiographical Subject or Osbern as Author? The Scribal Portrait in an Early Copy of Osbern's Vita Sancti Dunstani', Gesta 32 (1993), 83-96.
Webber, T., 'Script and Manuscript Production at Christ Church, Canterbury, after the Norman Conquest', in Canterbury and the Norman Conquest: Churches, Saints and Scholars 1066-1109, ed. R. Eales and R. Sharpe (London, 1995), pp. 145-58, at p. 158 [written in a combination of the Christ Church style of script and other styles]
Gameson, R., 'English Manuscript Art in the Late Eleventh Century: Canterbury and its Context', in Canterbury and the Norman Conquest: Churches, Saints and Scholars 1066-1109, ed. R. Eales and R. Sharpe (London, 1995), pp. 95-144, at pp. 117(-18) n. 78, 136 n. 159, 143.
Ohlgren, T. H., ed., Insular and Anglo-Saxon Illuminated Manuscripts: an Iconographic Catalogue c. A.D. 625 to 1100 (New York, 1986), no. 217.
James, M. R., The Ancient Libraries of Canterbury and Dover (Cambridge, 1903), pp. 505, 513.
Mynors, R. A. B., R. H. Rouse, and M. A. Rouse, ed., Registrum Anglie de Libris Doctorum et Auctorum Veterum, Corpus of British Medieval Library Catalogues 2 (London, 1991), R1.104.
Marchesin, I., L'Image Organum: La ReprÃc)sentation de la musique dans les psautiers mÃc)diÃc)vaux 800-1200 (Turnhout, 2000)
Ker, N. R., Medieval Libraries of Great Britain, Royal Historical Society Guides and Handbooks 3, 2nd edn (London, 1964), Canterbury.
Gneuss, H., Handlist of Anglo-Saxon Manuscripts: a List of Manuscripts and Manuscript Fragments Written or Owned in England up to 1100, Medieval and Renaissance Studies 241 (Tempe, AZ, 2001), no. 167 [s. xi ex., origin Christ Church, Canterbury]
Gameson, R., The Manuscripts of Early Norman England (c. 1066-1130) (Oxford, 1999), no. 152 [s. xi/xii, provenance Christ Church, Canterbury]
Dodwell, C. R., The Canterbury School of Illumination 1066-1200 (Cambridge, 1954), p. 120.
Webber, T., 'Script and Manuscript Production at Christ Church, Canterbury, after the Norman Conquest', in Canterbury and the Norman Conquest: Churches, Saints and Scholars 1066-1109, ed. R. Eales and R. Sharpe (London, 1995), pp. 145-58, at p. 158 [a Christ Church manuscript which does not contain the Christ Church style of script]
Gameson, R., 'English Manuscript Art in the Late Eleventh Century: Canterbury and its Context', in Canterbury and the Norman Conquest: Churches, Saints and Scholars 1066-1109, ed. R. Eales and R. Sharpe (London, 1995), pp. 95-144, at pp. 106 n. 40, 117(-18) n. 78, 119 n. 83, 143 + pl. 3a.
James, M. R., The Ancient Libraries of Canterbury and Dover (Cambridge, 1903), pp. 506, 514.
Mynors, R. A. B., R. H. Rouse, and M. A. Rouse, ed., Registrum Anglie de Libris Doctorum et Auctorum Veterum, Corpus of British Medieval Library Catalogues 2 (London, 1991), R1.68, 282, 323.
Morgan, N. and Panayatova, S. (eds.) with the assistance of Rebecca Rushforth, Illuminated Manuscripts in Cambridge : A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part 4, The British Isles, 2 vols. (London, 2013), vol 1. no. 68 and cited no. 55